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Eventually we pulled “Ghosteen Speaks” out and started working on that one. Ghosteen, there was only ever one track, “Earthlings.” It was a potential track for the record but I got cold feet mid-recording and said it’s not right for the record. We worked a lot to try and elevate the demo versions of things we took in there. Going back through that, it was interesting to see how much stuff we actually did do. It was such a particular experience, being in the studio with Nick. There was a lot of stuff I’d forgotten about from the Skeleton Tree sessions. With hard drives, you can do so much more. The digital age has allowed that to happen. I just have hours and hours and hours of stuff. That was interesting, going back through. Anything that was done in those sessions is an outtake. There weren’t any official B-sides released, as such. The surprises, for me, came in putting together the second album, the Skeleton Tree and Ghosteen stuff. If you look at the first disc, from that Dig Lazarus Dig!!! era, I remember them. You go through the vaults, you find these things. You know what’s basically there in the B-sides. There’s something really wild and playful and beautiful about that. They can come from a certain period of time and they don’t find a home on the record, and when they’re all put together on a compilation it jumps all over the place. The surprise comes when you put them all together in a package. WARREN ELLIS: I guess the surprises are mostly on the last disc, the outtakes and unreleased tracks. For you, having been along for the ride, were there any big surprises or revelations as you were going through this material?
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These are key years, in my mind, for the Bad Seeds in general - as they came into this later era sound. The new compilation comes from a period of time during which you became a bigger driving force within the Bad Seeds, a closer collaborator with Nick. The conversation began with the B-sides, but soon dove deep into Ellis’ life as a musician, different eras of the Bad Seeds, and the profound mark Ghosteen left on him. On the occasion of the new compilation, we caught up with Ellis, calling on Zoom from his home in Paris. Early on, Cave suggested they start compiling a new B-Sides And Rarities comp, and Ellis set forth digging through his hard drive at the same time, they were working on a score for Andrew Dominik’s forthcoming Blonde. But it wasn’t the only thing they were working on during the pandemic. That album was the product of lockdown - Cave and Ellis finding some time to get together and jam and catch up, then ending up with an album. Earlier this year, the two put out their first non-score album as a duo, Carnage.
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The two of them have been very prolific: If you look at the last 15 or so years, Cave and Ellis have churned out movie scores, Bad Seeds albums, Grinderman albums, almost all of it of impeccable quality. Ellis was the bearded wild man guiding the band into unforeseen waters but also the musical wizard inching them towards a sound that was quieter, more challenging, and more adventurous all at once. Cave’s apocalyptic shaman aged into a wiser, more empathetic character. From the outside, it’s often seemed like a dream partnership. Around that same time, he and Ellis began scoring movies together, which started a process in which Ellis’ influence became more and more profound on Bad Seeds albums and Cave’s output overall. Though Ellis was a full-time Bad Seed by the end of the ’90s, it was in the ’00s that he and Cave began working together more closely, and the result has been a striking late-career string of albums that at the very least rival the peaks of Bad Seeds history, and often times feel like the best work any of these people have done.Ī line was conveniently drawn in 2005, when Cave released the first B-Sides And Rarities compilation, collecting loose ends from the first 20-odd years of the Bad Seeds’ existence. In the last 15 years or so, the direction has been partially shaped by Warren Ellis. The band has mutated time and time again, with different aesthetics and voices coming to the fore. In the nearly 40 years since From Her To Eternity, there have been many chapters for Nick Cave & The Bad Seeds.